Titianesque - traducción al ruso
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  3. Titianesque

Titianesque - traducción al ruso


Titianesque         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)

[tiʃə'nesk]

прилагательное

общая лексика

тицианов(ский)

Titian         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)

['tiʃ(ə)n]

прилагательное

общая лексика

золотисто-каштановый (особ. о волосах)

золотисто-каштановый (особ. о волосах)

Titian         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)
Titian adj. золотисто-каштановый (особ. о волосах)

Definición

Titian
['t??(?)n]
¦ adjective (of hair) bright golden auburn.
Origin
C19: from the 16th-cent. Italian painter Titian, by assoc. with the bright auburn hair portrayed in many of his works.
Mostrar más definiciones
¿Cómo se dice Titianesque en Ruso? Traducción de &#39Titianesque&#39 al Ruso
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